JFC i just reckoned Close Encounters of the Third Kind came out 47 YEARS AGO!
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
THE BABY ABDUCTION SCENE
just pure nightmare fuel.
that is all.
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
seriously, the screws unscrewing themselves and all the gadgets turning on by themselves and then fucking Barry going in thru the dog door laughing?
nightmare fuel.
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
this scene with the government guys, setting up the stage for plausible deniability?
so enraging.
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
i just realized the crew they have prepared, look like out of a cult.
what's the name of that death cult that they all offed themselves in their jumpsuits and Adidas?
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
MASHED POTATOES SCENE!
the kids’ reaction is heartbreaking.
and Richard Dreyfuss is an amazing everyman.
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
the wife though.
what's interesting about this scene is the set up for the ending.
would you rather be abducted by aliens or live in suburban domesticity hell?
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
this scene, after he built the giant model of the peak and the wife calls and they're bickering and the tv is blaring with the evacuation report and HE IS NOT LOOKING AT THE DAMN TELEVISION. it’s almost as if Spielberg decided it was one long ass pun of the concept of ALIENATION.
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
LMAO i just reckoned the guy selling gas masks in this evacuation scene. pure Americana.
and now come in the french horns. John Williams is truly Spielberg’s ear.
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
Spielberg did this also in E.T. and briliantly: showing the lengths to which the state goes to gaslight people.
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
poor Larry.
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
and we are in the Dark Side Of The Moon.
“this is not a drill. i repeat, this is not a drill.”
“i don't think we could ask for a more beautiful evening.”
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
the little dots moving in the starry night 🤩
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
the film cameras still make me go ooooooh!
we don't even use film anymore.
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
ok, start with a tone.
up a full tone.
down a major third.
now drop an octave.
up a perfect fifth.
nothing.
nothing at all.
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
Return of the El Greco clouds!
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
what i love about this scene is the static noise in the background. this thing is so massive and has so much vibrating metal it just distort all around it.
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your auntifa liza 🇵🇷 🦛 🦦replied to your auntifa liza 🇵🇷 🦛 🦦 last edited by
the lights
the ship gyrating & revealing its massiveness
the techs standing aghast
the Ray Bans
the one tear streaking the keyboardist’s cheek
the set-up of this ending is just
